Orchids and Art

In Selby Gardens' Orchid Show, Live and Imagined Beauties Mingle

Artist Christian Sampson has collaborated with the gardens on this year's show paying homage to the orchid.

By Kay Kipling October 12, 2026

Christian Samson's work uses glass, acrylic and dichroic film to create installations that change with the light, the time of day, and the angle at which they are viewed.

A Ringling College of Art and Design alum has collaborated with the Selby Gardens horticultural and exhibition teams for this season’s annual Orchid Show, which opened over the weekend.

Christian Sampson, a native of Bradenton who graduated from RCAD in 1998 and has since exhibited at museums including the Centre George Pompidou in Paris, has brought to the gardens, its museum and its conservatory his works using glass, acrylic and dichroic (Greek for two-way) film to create installations that change with the light, the time of day, and the angle at which they are viewed. In the case of the Selby show, that means viewers will enjoy different experiences and interactions with the art each time they see it.

Artist Christian Sampson works with dichroic film to create images that change and shift in color.

Image: Nancy Guth

Sampson, whose work Vita in Motu is on permanent view at the Sarasota Art Museum, now lives and works in Los Angeles. But he uses what he learned during his time at Ringling College to approach color and form in a unique way, especially through his use of that specialized film, with which layers of metal oxides give the glass shifting colors. It’s like stained glass employing a modern, less expensive method of production.

A view of the Super Ghost Orchid room in the museum.

Of course, the orchids and plants configured within Sampson’s creations play a role in projecting natural beauty, too. “Like a living thing,” Sampson says, the images before you “will always be changing.”

Vibrant orchids in conversation with Sampson's colorful installations.
Some of Sampson's creations along the water at Selby Gardens.

In some cases, the Florida shells Sampson recalls form his Florida upbringing are crushed and used as “pedestals” for his works. Inside the Richard and Ellen Sandor Museum of Botany & the Arts, there’s also a personal note in the video presented of the artist’s young daughter, moving and dancing to flower references, while wearing costumes designed by Sampson’s artist wife. Sampson also drew inspiration from the Ghost Orchid (Dendrophylax lindenii for all you budding botanists), located in Naples' Corkscrew Swamp Sanctuary—an object of ongoing fascination that was originally photographed and illustrated by Selby’s longtime orchidologist, Carlyle Luer, some 50 years ago.

The Orchid Show continues through Dec. 6 at Selby’s downtown campus. For more information, visit selby.org.

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