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In memory of contributing editor Bob Ardren Pam Daniel |
Bob Ardren showed up at noon, and we drove to Siesta Key’s Gulf and Bay Club, which in those days had a bar that served food right on the beach. Bob and I hit it off immediately, and though I don’t remember what we talked about—our families and backgrounds, probably, the museum, maybe a little—I do remember looking out at those dazzling green waves and feeling as relaxed and at home as I ever had in my life. That a business lunch could mean sitting in a place like this and talking to such a kind and kindred spirit seemed almost ridiculously unbelievable, and I realized I had found a career—and city—I would forever love. We didn’t get back until after 3, and I can still see Bob, beaming as he shook my hand at the door, saying, “Well—another nice person has come to town.”
I didn’t know it, but I had just met someone who would not only become a dear friend, but who would, to me—and many others, including readers of this magazine, for which he’s been a frequent contributor—represent the essence of Sarasota.
A big, genial bear of a man, Bob enjoyed the new amenities and people that growth and gentrification brought; but what he really loved were Sarasota’s classic attractions: the tropical landscape and waterways; funky old-Florida hangouts; and the parade of characters—artists, sailors, drifters, developers and dreamers hoping to reinvent and reinvigorate themselves—that has always been lured to our shores. They enlivened his stories and often became his friends as well.
His career here managed to hit all the key elements of old Sarasota. When he arrived from Iowa in 1976, with his then-wife and two young children, he shucked oysters at Walt’s Fish Market until he was hired as head of public affairs for the Ringling Museum. He worked there 16 years, promoting exhibits and artists, insisting (sometimes to the displeasure of top management) that the museum should be accessible to everyone rather than an elitist enclave. A huge circus fan, he eventually headed up the Ringling Circus Museum.
But I like to think he found his true calling in the job he held for the last 13 years, as a reporter for Siesta Key’s Pelican Press. A weekly newspaper with a small but talented staff, the paper gives its writers lots of freedom to choose their stories and follow their instincts, and Bob used to tell me, “I’ve got the best gig in America.” He was like a character in John D. MacDonald’s Flash of Green, the independent, incorruptible reporter in a sweltering Southwest Florida town that’s about to explode with new development. Wearing flip-flops and an oversized tropical shirt, he was an ever-present figure at City Commission meetings and at sidewalk cafes up and down Main Street, as he covered the schemes, saints and sinners that have been reshaping downtown, never with any agenda but his unabashed love for the place.
Before Bob came here, he’d already had a varied career, as an editor at Better Homes and Gardens, an executive at GE and even a worker in a foundry. A true child of the ‘60s, he’d also trained for the Peace Corps and spent a few years just roaming around the country.
But he embraced Sarasota from the second he arrived. He bought a little blue house on Second Street, built around 1915 and shaded by giant oak and mango trees. In those days, downtown was decaying, as retailers fled to the new malls. In an article he wrote for us in 1999, Bob recalled how a friend warned him not to buy that house. “You don’t want to keep your family in this neighborhood,” the friend said. “You got junkies living on one side and a downtown going to hell on the other.” But, Bob wrote, “Sarasota Bay was close by. We had a couple of crab traps down by the brand-new Selby Library [now the site of G.WIZ], cold beer and real Indian food were available in the John Ringling Towers down the block, and we had a sailboat moored at O’Leary’s in Island Park. Who’d want to leave a spot like that?”