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Modern Man
Robert Neal's design classics move comfort into a new century—and condo.

 Sarasota condominium is identifying the mid-century design icons it contains. Even more fun is the invitation to sit back and enjoy them. Far from a museum space, Neal’s residence in sleek, modern Beau Ciel is first and foremost a home. Considering the current buzz about the second coming of mid-century modern furniture (or is it the third or fourth?), Neal’s philosophy—actually using the stuff for everyday living—should be helpful to would-be collectors.

In the sweep of an eye, classics like an electric blue Arne Jacobsen egg chair, a Corbu LC-6 dining table and two yellow eye-poppers (original 1970s chairs by French superstar Pierre Poulin) jump out. Neal cleverly uses his showpieces as punctuation marks for an otherwise neutral setting. To impart an edgier, 21st- century tone, his Donghia seating offers seductive up-to-date lines. But the bones of his living room—a famous AI (Atelier International) brown leather sofa—is  laid-back, masculine and built for comfort.

“I’ve always liked 20th-century furniture, and I’m impressed by the quality and selection now available in Sarasota,” Neal says. He’s also intrigued with the Danish classics available through local retailer dkVogue, and quips that by now there should be plenty of vintage pieces available in town. “I’ve specified a lot of them for clients on Longboat Key over the years.”

Robert Neal came to Sarasota when his brother, Paul Jr. (founder of Bradenton-based Neal Communities and father of Pat, who now runs the company) was developing his first local project, Whitney Beach on Longboat Key. “That was in 1967, a time of great expansion and condominium building on the key,” Neal explains. He designed a series of model homes for the Innis Brothers on Bird Key and for his brother’s development. The influx of new owners led to local commissions and projects in clients’ Northern homes as well.

Neal formed a partnership with designer Bob Beardsworth that soon expanded their business from Sarasota to New York. “In 1975 we bought a brownstone in Beekman Place that served as our New York office, and we split our time between there and Sarasota,” he says. “The late Ben Baldwin, a famous designer who also lived in Sarasota, was a great influence to us both, and eventually I bought a home in East Hampton, where Mr. Baldwin also summered.”

In Sarasota, Neal has lived on Shinbone Alley on north Longboat Key, in a house he gutted and totally remodeled (the project was featured in Architectural Digest), and in the Paul Rudolph-designed Harkavey House on Lido Shores. “Coincidentally, Rudolph was a neighbor and friend in New York,” Neal says. Beardsworth/Neal redesigned a number of houses on St. Armands, and maintained offices in town until Beardsworth’s death in 1993.

By the late 1980s, Neal had sold his East Hampton house and was living in a home in Montecito, Calif., near Santa Barbara. In 2004, he returned to Sarasota full-time and resumed his design business here. Neal says he chose Beau Ciel because he liked the building’s curvaceous design, and the condo’s floor plan fit so well with his furnishings. “Everything I had in California is here,” he says.

Inside and out, the building’s architecture reminds him of a cruise ship, and with eight round-the-world cruises under his belt, he should know. Neal has made 10 trips to Australia, and frequently visits Asia, South Africa, South and Central America. “Living here is like being on a Crystal Cruise,” he confides. And from the lobby’s dramatic steel staircase railings to its vivid art-glass sculptures and abstract art, the analogy plays out.

Ten stories up, Neal’s home in the sky appears to be nearly surrounded by water. The terrace is curved like the bow of a ship; the kitchen’s coffered ceiling bears a similarly angled arch, walls jut in several directions cruise-ship style, and a round window mimics a porthole in a marbled bath.  But Neal’s mementos are the antithesis of kitschy souvenirs. Works of art, architectural remnants and rare examples of native craftsmanship are strategically placed for maximum impact.

“During years of travel I have been influenced by Asian design,” Neal says, “and frequently I use artifacts from Bali and India to make my contemporary interiors more interesting.” For his own condo, Neal intersperses objects found on trips overseas with works purchased at high-level auctions and from a Sarasota client’s collection. “He’s since passed away, and I don’t remember his first name because I always addressed him as Mr. Sarna,” Neil explains. “But he made his fortune importing bells from India that were sold to department stores across the country under the trade name the Bells of Sarna; they were famous.” In his breakfast nook, for example, a bronze drum table from a Thai king’s barge dated 186 A.D. comes from Sarna’s collection.



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Posted By: Don Bellizzi
I own Mr. Sajan S. Sarna's summer home in putnam county, NY. I know he was the founder of The Bells of Sarna. The property includes a very interesting solar house which I use as a studio. It is decorated with many Indian brass objects and wood carvings. The house was built in the 50's and I am trying to find out who was the architect. donbellizzi@comcast.net


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