Signs of recovery

When the Sarasota cultural season started last fall, bad news dominated the talk in lobbies and box-office lines.

Florida State University had recently announced that because of state budget cuts, it might be forced to curtail its support of the Ringling Museum of Art and the FSU/Asolo Conservatory. 

The musicians of the Sarasota Orchestra were performing without a contract, after failing to reach an agreement with management. Speculation was rampant that the musicians might vote to strike. And management announced it was putting the orchestra-sponsored Sarasota Music Festival on hiatus because of budget concerns.

Despite rave reviews for new artistic director Iain Webb, the Sarasota Ballet was saddled with a huge deficit, and rumors were spreading that the company might have to disband. The Sarasota Film Festival was also dealing with a large deficit, along with the resignations of several disgruntled board members. 

But now, even though the economic downturn is still causing concern, the mood at most arts organizations has improved remarkably. That was most apparent recently in the Ringling’s Rubens gallery, where museum and FSU/Asolo Conservatory supporters gave a roaring welcome to new FSU president Eric Barron.

“I love the museum and the conservatory. They are absolute gems,” Barron said. “I’ve been in this job for only 10 weeks, and this is already my second trip down here. That should tell you how important these institutions are to me, and to FSU.”

FSU is no longer hinting that the museum and conservatory might have to become self-sufficient. “You will hear no mixed messages from me,” Barron said. “We value the museum and conservatory, and want to help them become even better.”

One museum supporter told me that “the change in attitude from several months ago is amazing. There’s a real feeling that FSU appreciates the museum, and that we’re all in this together.” Supporters of the conservatory feel similarly encouraged.

International Attention

The museum’s profile increased dramatically in October, thanks to the inaugural Ringling International Arts Festival. A partnership with the Baryshnikov Center in New York, the festival was so successful that organizers decided to make it an annual, rather than a biennial event.

Look for a renewed focus on modern works at the Ringling, which has just filled a key vacancy by hiring Matthew McLendon as curator of modern and contemporary art. Under his direction, rarely seen pieces from the Ringling collection by Alexander Calder, Frank Stella, Vassily Kandinsky and others will now be on display in the Searing Galleries. And a dramatic Skyspace by James Turrell will be installed on the property later this year.

Symphonic Harmony

The musicians and management of the Sarasota Orchestra agreed to a new contract in December, and almost immediately seemed to put the rancor and the name-calling of the previous few months behind them. Led by the innovative Leif Bjaland, the orchestra continued its drive to reach new and younger audiences by doing more multimedia performances that involved film clips, narration and other techniques. Bjaland’s dramatic “Journeys to Genius” programs have been particularly popular.

Not everyone is thrilled with the unorthodox approach. “Do they really need to show film clips of Rome while they’re playing The Pines of Rome?” one older audience member grumbled after one Masterworks concert. “That’s distracting.”

The Sarasota Music Festival went on after all in June, thanks to a $250,000 grant from the Kaiserman Foundation. But that was a one-time gift, so the future of the venerable festival remains uncertain, particularly if attendance keeps slipping.

Stepping Forward

For a supposed corpse, the Sarasota Ballet was stepping lively this season, dancing to a new level of excellence. Iain Webb called on his many contacts in the international ballet world to present works by top choreographers, with some pieces performed by renowned guest artists. Many of his colleagues waived their royalty fees because they knew the company was struggling.